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Dr. Chuunibyou or: How I Learned to Stop Being a Faggot and Love Moé

who_is_that

Who is that? Why do you do this Kyoto Animation?! I’ve circled the perpetrator, in red, in the above image. Given the track record KyoAni has with random scene participants, we’re most likely not going to see her again. Remember that one second in the first season of K-ON! when Yui passes by the Occult Club? A smoothly animated silhouette appears before a scene change and she’s nowhere to be found throughout both seasons. The two Occult Club members we do get to see don’t have the hair length of the shadowy figure that randomly appeared behind Yui.

This episode. This episode. I can’t handle a dere (でれ) Dekomori. Such is it that we return to our blessed previous status quo. Although it was interesting to see just how dedicated Dekomori is to the Mabinogion and Mori Summer. Is it boredom, or a coping mechanism? I’m personally leaning towards Dekomori suffering from plain boredom. It does pain me to see such vivid imaginations of chuunibyou sufferers manifest as animated scenes. We all know it looks silly (unless animated by KyoAni). But there’s also the time when you know it looks silly, and then do it anyway. That’s called growing up. Growing up also means taxes, and taxes aren’t fun. Unless you’re playing a city-building simulator, then tax away. How else are you going to fund that chemical reclamation plant?

I have.. methods. (Click here anyway to read.)

-maserbeam